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Anyone who is interested in crosswords will know of Ximenes (1902-1971). He wrote crosswords for the Observer from 1939 until his death, when the present incumbent, Azed, took over. Ximenes is widely regarded as the one of the finest compilers there has ever been. He wrote clues which showed an ingenuity second to none; witty, taxing and above all, fair. Ximenes’s name lives on not just for his puzzles, but for the work he did to ensure that a reasonable standard of crossword writing was achieved in his day and thereafter. The phrase “Ximenean standards” is (or should be) a phrase familiar to every aspiring crossword writer. What exactly does this mean? And are they still relevant now?

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There is not enough room here to go into great detail about Ximenes’s thoughts on crossword writing. For an in-depth treatment I recommend his own book – Ximenes on the Art of the Crossword by D.S. Macnutt (Swallowtail Books). A briefer but useful guide is to be found in the Chambers Crossword Manual by Don Manley (Chambers). In a sense, it is possible to sum up Ximenes’s ideas in one sentence: CLUES MUST BE FAIR. That’s it. Essentially, all he strove to do was ensure that the most important contributor to any crossword – the solver – got a fair deal.

Here is an example of a clue of which Ximenes would not have approved:

Beast of burden bothered the players (9)

The “bothered” suggests an anagram, but an anagram of what? “The players” provides too many letters, and “beast of burden” doesn’t fit at all. Now, let us suppose you have got all the letters towards it:

O _ C _ E _ T _ A

Well, the only obvious word that fits is ORCHESTRA, and after some thought it’s possible to realise that ORCHESTRA is an anagram of CARTHORSE (yes, that old chestnut!) and that a carthorse is a beast of burden..

The clue is unfair. It asks the solver to work out an anagram of an unknown word – an almost impossible task. The only way to solve this clue is to get the letters towards it and guess – then work backwards. There is not enough information in the clue itself to lead to an answer – hence its lack of fairness. This was the kind of thing Ximenes was trying to eradicate from crossword puzzles intended for publication in respectable sources.

Here’s another example.

One who sleeps late could be ideal (3-4)

The answer is an anagram of “be ideal” to give LIE-ABED – but the problem with this clue is that there’s a word missing. It should really read

One who sleeps late could be be ideal (3-4)

Obviously this makes no sense (not that the original makes much either) but at least it is a fair clue. In the first case, the word “be” is doing double duty – being part of the anagram indicator and the anagram itself. How can the solver reasonably be expected to predict that?

Here’s another example of a clue which would have Ximenes turning in his grave.

Leading nationalist with Roman organisation finds wisdom (6)

The idea is that N + anagram of ROMAN gives NORMAN (Wisdom)

There are several serious errors here. “Leading nationalist” does not, in any grammatical sense, convey the letter N. Far better would be “nationalist’s leader”, “leader of nationalists” etc. Nor does “Roman organisation” really suggest that the letters in Roman actually move – nouns do not modify other words in the way adverbs, adjectives or some verbs do. Better here to have “Roman revolting” or “Roman revolutionary” or something similar. Perhaps worst of all is the attempt to clue a person’s name whilst omitting the capital letter all proper nouns should have. This is an easily solved problem – just put it at the beginning of the sentence. Finally, the comedian Norman Wisdom is only one of many examples of someone called Norman, so this needs to be indicated in some way.

So we could have, as a rewrite

Wisdom perhaps found by leader of nationalists meeting Roman revolutionary (6)

It’s still not a brilliant clue but at least it gives the solver a fair chance.

Very often, it is the “easier” crosswords – those that appear in magazines for example – which provide the least fair clues. I can think of several times when, puffed up with pride at having finished the Times in under ten minutes, I have picked up the Anytown Quick TV Guide expecting to complete the crossword while the kettle boils – and taken longer than I did on the Times! Sometimes clues in these publications are so woolly and vague that more guesswork than skill is required. I have spoken to one crossword editor (not for any of the nationals, I hasten to add) who blithely told me that “we don’t bother with that Ximenean stuff here.” I have seen some of the clues printed under his imprint and wondered how anyone actually managed to solve them.

Having said all this, it’s important that aspiring setters don’t get the idea that writing clues is a sterile process that has to follow lots of complicated rules. Provided you have a reasonable grasp of grammar – and you wouldn’t be able to do crosswords if you didn’t – it soon becomes second nature to check that your clues give a fair indication of what the solver is required to do.

Should all clues in every crossword be Ximenean? Opinion is divided on this. Ideally, the answer is yes, since all being Ximenean means is being scrupulously fair to the solver. Yet occasionally, I believe, there is nothing wrong with a few minor infringements here and there if the clueing is imaginative. Any decent crossword compiler would be ashamed to produce any of the examples given above, but some compilers do bend the rules of grammar slightly if the clue is clever and amusing enough to justify it and the result is still relatively fair.

For example, I used to buy the Guardian almost solely for the pleasure of seeing “Set by Araucaria” above the crossword; his puzzles are probably the most enjoyable and imaginative I have found. He – and his excellent colleagues Bunthorne and Enigmatist, to mention but two – has been criticised in some quarters for minor infringements of Ximenean standards. Of course none of them would ever produce anything awful like the examples above, but sometimes they do stretch things a bit. Yet given the imagination shown in their clues, does it really matter? Personally, I think not. After all, crossword writing is a creative art, and if creative artists didn't strain at the leash occasionally, there would have been no Picasso, no Wagner, and of course no Shakespeare! All these artists have one thing in common, however; they may have bent the rules of their art, but they leave their public in no doubt as to what they intended to say. This, too, is what the compiler should strive for.

For my own part, I always aim to produce clues which are of Ximenean standard. A trawl through my puzzles on this site will no doubt unearth a few that aren’t – either by mistake or because I felt the clue justified the infringement. The latter applies almost exclusively to my earlier puzzles; in recent years I have become more and more reluctant to write clues which deviate from the standards Ximenes laid down. No doubt I do fail to maintain these standards at times, but it’s not for want of trying. On the other hand, I am far more tolerant of infringements by other setters – as indicated in the previous paragraph – so long as it isn’t taken to extremes. For example, I don’t really have a problem with superfluous link words as long as they aren’t misleading. Compare these two clues

Ximenes On The Art Of The Crossword Pdf File System

Animal returns to grass (4)

Saturnalia upsetting to national (10)

In both cases, “to” is a link word. It is also largely superfluous, although it can be argued that “to” means “leading to” i.e. the wordplay is “leading to” the answer. Ximenes would have no truck with the first example, and neither would I. DEER returns to give REED (the answer) – fair enough at first sight, but the solver could legitimately claim s/he was looking for a synonym of the verb “to grass” – to inform on. Staunch Ximeneans would not approve of the second either, and I don’t much like it myself, but here it can be argued that there is no verb “to national” so it is obvious enough that an anagram of SATURNALIA leads to a national of a country (AUSTRALIAN).

I would say the same for one of the most oft quoted of non-Ximenean clue types, such as

Man changing line around Gateshead (5)

We’re looking at an anagram of LINE around G – to give NIGEL – and Ximeneans would argue that as there is no apostrophe in Gateshead, it doesn’t signify the head of gate, G. I agree, and it’s been many years since I have done this sort of thing in my clues, but I won’t complain if other setters use Gateshead, Maidenhead, or egghead as indicators for the letters G, M and E. Why should I? This trick may be grammatically suspect but it is now so well known that the solver can hardly claim to feel cheated, and it’s far better than “leading gate” or any such nonsense.

If you are looking to set puzzles for the Listener or Enigmatic Variations, then you will find that you will need to stick very closely to the type of clueing expected by Ximenean standards. It would be as well to read around the subject in some detail, particularly the two references I have given above. These are complex thematics which involve obscure vocabulary, and there is no room for ambiguity. The Times and Guardian crosswords aren’t strictly Ximenean, but as said above, the quality of the clueing usually justifies this. That doesn’t mean that anything goes, of course – you'll get an angry letter from their crossword editors if you start giving woolly definitions or miss out anagram indicators. Other publications, from the tabloids downwards, are very variable on this. This is where most people start their crossword writing career, and it is important to remember that the readers of these publications regard their crosswords as a brief distraction, rather than an obsession. In other words, the clues have to be easy. Obviously fair clues are easier than unfair ones, so here too it is best to stick to Ximenean practice as much as possible – if you deviate too much from it, your clues will be too hard and you will get several complaints from your readers!

To finish, I would say that for anyone who intends to become a serious crossword writer, it is best to study and follow the Ximenean way of clueing. Only depart from it if you are confident that the clue is still reasonably fair and solvable, and is good enough to justify bending the rules of grammar. In any case, if you are writing fair clues, you are most likely following Ximenean practice anyway!

If you have any questions about whether a clue you have written is Ximenean or not, click here.

Ximenes On The Art Of The Crossword Pdf File Free

Derrick Somerset Macnutt (1902–1971) was a British crossword compiler who provided crosswords for The Observer newspaper under the pseudonym Ximenes. His main oeuvre was blocked-grid and 'specialty' puzzles. Even though he only provided conventional blocked puzzles once a week for the Observer Everyman series for about two years his strong views on clueing, expressed in his 1966 book, have been a source of debate in the cryptic crossword world ever since.

Career[edit]

Macnutt was born at Eastbourne in Sussex and was educated at Marlborough College before achieving a Double First in classics at Jesus College, Cambridge. Between 1928 and 1963 he held the position of Head of Classics at Christ's Hospital near Horsham, West Sussex, as well as being a housemaster.^[1]

In 1939 he took over the position of crossword compiler for The Observer on the death of Edward Powys Mathers, who had written under the name of 'Torquemada'. Macnutt selected the name Ximenes after Francisco Jiménez de Cisneros, one of Torquemada's successors as Grand Inquisitor of the Spanish Inquisition.^[2] He pronounced 'Ximenes' in an Anglicised fashion, /ˈzɪməniːz/.^[3][4]

His crossword style was initially in imitation of Torquemada, but was soon influenced by the inventive puzzles of Alistair Ferguson Ritchie who wrote as Afrit in The Listener.

Macnutt died in 1971, and puzzle 1200, his final crossword to be published, appeared in 1972. He was succeeded by Jonathan Crowther, who writes under the name Azed.

Coreldraw 2019 preactivated. From 1943, he was also a contributor to The Listener, writing crosswords under the pseudonym Tesremos – his middle name spelled backwards.^[5]

Influence[edit]

As Ximenes, Macnutt's puzzles gained an enthusiastic following. His many fans organised dinners on the occasion of his puzzles number 100, 250, 500, 750 and 1000, with the 1968 dinner hosting nearly 400 solvers. His followers, known as Ximeneans, often sported a specially designed black tie covered in small white crosses.

Well-known Ximeneans include Stephen Sondheim, P. G. Wodehouse, and Leonard Bernstein. Colin Dexter, author of the Inspector Morse books, named his most famous characters after two prize-winning Ximeneans, Sir Jeremy Morse and Mrs D. W. Lewis,^[6] and he named Morse's old Inspector Macnutt. In Rex Stout's Might as Well Be Dead (1956), detective Nero Wolfe is said to be working on a puzzle by Ximenes.

In his 1966 book, Ximenes on the Art of the Crossword (reissued 2001), he laid down rules that he claimed should be present in all good crosswords. These are now known as the 'Ximenean principles'. They include using a symmetric grid, and the specification of maximum and minimum numbers of 'unches' (unchecked letters i.e. ones that only appear in one word in the grid) for a given length of answer. More importantly, he insisted that all clues must be scrupulously fair via rules that were summed up by his successor, Azed, as:

A good cryptic clue contains three elements:

1. a precise definition
2. a fair subsidiary indication
3. nothing else

Telecharger calculatrice casio fx 991 es plus. He made a number of innovations in crossword setting such as the special clue/puzzle types 'Misprints' and 'Right and Left'.^[7]

References[edit]

1. ^Harrison, Derek. 'Derrick Somerset Macnutt'. www.crossword.org.uk. Retrieved 18 December 2018.
2. ^D S MacNutt with A Robins (1966). Ximenes on the art of the crossword Chapter XV Looking Back , Methuen & Co Ltd, London:reissue Aug 2001; Swallowtail Books ISBN1-903400-04-XISBN978-1903400043
3. ^[1] Collins Dictionary
4. ^[2] 'From Square One: A meditation with Digression on Crosswords by Dean Olsher, Scribner June 2009 ISBN978-0-7432-8762-3
5. ^'Listener crossword: History'. The Listener. Retrieved 2007-03-04.
6. ^Keegan, William (2006-11-12). 'Review: Collins A-Z of Crosswords'. London: The Observer. Retrieved 2007-03-04.
7. ^Ximenes on the art of the crossword Chapter XIV Specialized Crosswords